Posts Tagged Ahura Mazdao

The Art of Asha, an Analysis

“The Art of Asha” are the origin of chess and was introduced by Zarathustra as a kind of teaching aid describing the spiritual powers or hierarchies behind the physical world. Professor Edmond Bordeaux Székely have described the The Art of Asha in “The Essene Book of Asha“.

Today most knowledge of Ashas spiritual background have been lost, only names, a few comments about each piece and the movement rules are known, as they are the same as for chess today.

It has irritated me for some time that nothing more was known, it sounded interesting. As all religions and esoteric traditions are different facets of the same reality, it should be possible to find the meaning behind the Art of Asha.
In a contemplation a week ago I found the key, and I quickly found the relation to Kabbalah, and one key is that man is an inverted plant, what both Hinduism, Kabbalah and Rudolf Steiner states.


Board for the The Art of Asha

Here the positions and the names of the forces of Ahura Mazda and Ahriman, the white and dark powers:

As all religious and spiritual traditions describe the same reality it should be possible to find it’s relation to other more known systems, like Kaballah.

And it was not so difficult to find the right positions when I had placed the King/Creator/Man at the bottom of the tree, and Eternal Life just above in the Angels sephira, the puzzle pieces found their places naturally.

I placed the Queen/Preserver at the top, but it was wrong in many ways, so she moved into the center, that expressed her strength much better, just as the weakness of the king was clear through his position outside the ring.

Looking at the meaning of the Asha pieces and the corresponding Sephira they seem to match beautifully.

The symmetry of the pieces is also perfect, so I think it’s a very good theory of the relation.

I have not unraveled how it should be used, there are possibilities for some experimenting, like following the play of two persons around some topic, seeing how it develops, how it ends.

First model – the Pieces of Asha in The Tree of Life

This is the result of the first contemplation, here we have the pieces placed on the Tree of Life. The King is the head of the reverse tree.

asha-in-tree-of-life

Second model – Planets and Life Periods

Further contemplation gave this new version, where our development cycle is added, together with chakras and planets.

asha-in-tree-of-life-development-cycle

More on the chakras here “Some Results of the Initiation

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rosecroix

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The Snake and the Heel in Mythos

The motif in the birth of Krishna, where his mothers brother wished to take his life, and his wounded feet as a result of his fight with the snake, are known in different myths, within the same time frame, for Zarathustra, Oedipus, Dan, and Isak. I am not making a deep interpretation, which Steiner does better than I, but I just want to emphasize the motif:

Hence the legend relates how the child Krishna, even at his birth, was surrounded by miracles, and that Kansa, the brother of his mother, wished to take the life of the child. In the uncle of the child Krishna we see the continuance of the old, and Krishna has to defend himself against him; for Krishna had to bring in the new, that which kills the third epoch and does away with the old conditions for the external evolution of mankind.

That was the twofold deed of Krishna, He acted as a world-historical hero, in that he crushed the head of the serpent of the old knowledge and compelled man to re-enter the physical body, in which alone the ego could be won as free and independent ego, whereas formerly all that made man an ego streamed in from outside.

I am wounded in the feet, but with my own body I tread under foot the head of the serpent,” that is to say, the serpent with its head ceases to be the instrument of thought. The physical body and especially the physical brain, kills the serpent, and the serpent revenges itself by taking away from one the feeling of belonging to the earth. It bites one in the heel.

Steiner

There may also be a relation to Orpheus [Orphan] and Eurydice. Orpheus could charm animals by his music, as Zarathustra could charm the animals when people would kill him as child, and also Eurydice was bitten in the heel like Krishna. Both Zarathustra and Orpheus was killed at the Holy place of Apollo/Ahura Mazdao.

Poets like Simonides of Ceos said that, with his music and singing, he could charm birds, fish and wild beasts, coax the trees and rocks into dance.

While fleeing from Aristaeus (son of Apollo), Eurydice ran into a nest of snakes which bit her fatally on her heel.

He uses the word agurteuonta (αγυρτεύοντα), a term used by Sophocles in Oedipus Tyrannus to characterize Teiresias as a trickster with an excessive desire for possessions.

Zoroaster appears as “Sarastro” in Mozart’s opera Die Zauberflöte, which has been noted for its Masonic elements, where he represents moral order (cf. Asha) in opposition to the “Queen of the Night.

Oedipus was set out in the wood to die, with his feet mutilated. He was found by shepherds after an attempt to get rid of him. Teiresias was a blind prophet, as in the story about Krishna. Oedipus goes through life with clubbed feet. Steiner relates the story of Oedipus and the Sphinx with Faust and the clubfooted Mephistopheles of Goethe (Steiner).

In Apocalypse of Moses chapter 26 states:

1 But he turned to the serpent [in great wrath] and said: “Since thou hast done this, and become a thankless vessel until thou hast deceived the innocent hearts, accursed art thou among all beasts.

2 Thou shalt be deprived of the victual of which thou didst eat and shalt feed on dust all the days of

3 thy life: on thy breast and thy belly shalt thou walk and be robbed of hands and feet. There shall not be left thee ear nor wing, nor one limb of all that with which thou didst ensnare them in

4 thy malice and causedst them to be cast out of paradise; and I will put enmity between thee and his seed: he shall bruise thy head and thou shalt bruise his heel until the day of Judgement.”

 Jacob says the following words about his son Dan:

“Dan shall judge his people, as one of the tribes of Israel. Dan shall be a serpent by the way, an adder in the path, that biteth the horse heels, so that his rider shall fall backward. I have waited for thy salvation, O LORD.”

Literature

Wikipedia have a good reference article on the symbolism of serpents:

Wikipedia – Serpent(symbolism)

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