Posts Tagged Lilith
A dear friend of mine made me aware of Krishna in modern India, and I am impressed by the life and devotion.
Krishna and Radha
One of the central themes is the love between Krishna and Radha.
The love affair starts when the astral body joins with the etheric body, and it ends when Krishna leaves Radha, the astral separates from the etheric, causing Radhas death, symbolizing that the etherbody are bound to the physical body.
This is both a cosmic event, that happened when dreamtime ended, but it happens also each day, when we go through the small death.
When we wake, and the etherbody joins with the astral body, the love affair starts.
When we sleep, and the astral body separates from the etherbody, only connected to the etherbody through a silver cord, she dies, she become unconscious and enter sleep.
The initiation, the Rosicrucian Chümical wedding, the Union of the masculine and feminine, is the marriage between Krishna and Radha, thereafter they will not separate again.
A dialog from Gita Govinda is telling that each person is the half of a soul, that they are searching their other half (twin-spirit), and one of Krishna’s tasks is to learn humankind to love, as it’s the only way to find the other half.
Krishna: “When two souls are united, the difference of the other or second vanishes; so if we are but one soul, then why do you wish for marriage?”
Radha: “Right now I see no difference between me and the others; everyone thinks you belong to them; so how does that set me apart?”
Krishna: “There are hundred Gopis who search for me every day; who wish to be with me; but you’re the only one I search for, and wish to be with; does that not set you apart?”
Radha: “No, it does not; because you seem eager to accept the Love of every Gopi, not just mine; I have no proof I’m apart from others.”
Krishna: “I am eager to accept the Love of not just every Gopi, but every Gwala, and every other creature that wants to shower me with love.
Can’t you see Radha, that is the purpose why I am here; to fill every living soul with Love; to teach every creature to Love.
I cannot reject any Love that is offered to me; Love requires both strength and courage. It requires courage to profess Love; Love that is professed and accepted gives strength.
Courage and strength will help every living being to endure the highs and lows of life. By encouraging living beings to profess their love to me, I gift them courage; by accepting their love, I gift them strength
If every Radha has to find her Krishna, and every Krishna His Radha, they have to start somewhere, with someone.
I am that Beginning; by learning to love me, and feeling that they are loved in return, I take every Gopi and Gwala as every other creature one step forward towards their own Krishnas and Radhas.
If I were to reject their Love, then they would never have the courage to ever profess Love to anyone again, then how would they ever find and unite, with their own Krishnas and Radhas?”
Radha: “Even if I were to accept what you are saying Krishna, how does it prevent you from marrying me, if it is important to me? What is it that prevents you from marrying me?
Krishna: “Because, we are but one soul; marriage is to unite two souls; we are one soul split into two; we are simply part of the other.”
Radha: “If we are but one soul split into two, then Krishna, then you should not have a problem offering me marriage.”
Krishna: “Now you are speaking from Ego; Ego divides; you are seeing us as two separate entities; speak from Love and you’ll see we were one.”
Krishna and Romanticism
At the start of the human development we were animals with a soul seed, we acted as animals and we procreated as animals, mindless love, we should learn to love as individuals, face to face, and it didn’t happen by chance, books were written to teach mankind how to do it, into the least detail, like Kama Sutra, and Krishna teached man how to love with the heart.
A sahajiya poem of Vidyāpati is rendered into English by David R. Kinsley thus:
As I near the bed,
He smiles and gazes.
Flower-arrows fill the world.
The sport of love,
Its glow and luxuries
Are indescribable, O friend,
And when I yield myself,
His joy is endless.
Freeing my skirt,
He snatches at my garland.
My downcast mind
Is freed of frontiers,
Though my life is held
In the net of his love.
He drinks my lips.
With heart so thrilled,
He take my clothes away.
I lose my body
At his touch
And long to check
But grant his love.
Sweet as honey
Is the talk of a girl in love.
On Facebook: Krishna and Radha
The Snow Queen
The Snow Queen by H.C. Andersen is an extraordinary story, containing the primary dangers of man.
We have the following main players in the story:
- The Devil, who creates the troll-mirror who distorts the perceived reality.
- The Snow Queen, which palace and gardens are in the lands of permafrost. She is successful in abducting Kay after he has fallen victim to the splinters of the troll-mirror.
- An old sorceress, who maintains a cottage on the river, with a garden that is permanently in summer. She seeks to keep Gerda with her, but Gerda’s thought of roses (the flower most favored by herself and Kay) awakens her from the old woman’s enchantment.
- Kay, a little boy, who falls victim to the splinters of the troll-mirror and the blandishments of the Snow Queen.
- Gerda, the heroine of this tale, who succeeds in finding and saving Kai from the Snow Queen.
- The Rose.
The two children, who like brother and sister, grow up together as in the garden of Eden.
When they became ‘I’ conscious Kay got a splint from the troll-mirror in his eye, and now saw a distorted view of the world, where the beautiful became ugly, and the ugly became beautiful, or in other words, he lost sight of the magical, the spiritual, which he could still see as a child. He fell victim to materialism or the Ahrimanic, symbolized through the Snow Queen (Lilith), who kills love and compassion in his heart by her everlasting winter. He could no longer enjoy the Roses.
Gerda went seeking for Kay, to get him home again, but she felt victim to the old sorceress, who also tried to kill the love and compassion through the everlasting summer, a reminiscent of the old Eden, symbolizing the retreat into the spiritual, or the Luciferic. She was saved by her love to the Rose, which the sorcerer has banished from her garden. It is interesting that many abridged versions don’t have this part of the story included.
Through Gerda’s love and tears Kay is saved from from his frozen condition, and the Rose makes him cry causing the glass splinter to fall from his eye.
When they came home again they were grown up.
The story ends with:
The grandmother sat in the bright sunshine, and read aloud from the Bible: “Unless ye become as little children, ye cannot enter the kingdom of heaven.”
And Kay and Gerda looked in each other’s eyes, and all at once they understood the old hymn:
“The rose in the valley is blooming so sweet, And angels descend there the children to greet.”
There sat the two grown-up persons; grown-up, and yet children; children at least in heart; and it was summer-time; summer, glorious summer!
It is interesting that the girl is susceptible to the lures of Lucifer and the boy is susceptible to the lures of Ahriman, and that she gets him out of the clutches of Ahriman.
Moira Li-Lynn Ong connects the story to depression, which is the Ahrimanian sickness of today, in The shattered mirror as symbol of depression:
The tale begins with the shattering of a magical mirror, its pieces spreading over the world. When a shard enters a person’s eye, they only see the negative aspects of things. When it enters someone’s heart, it turns to ice. The symptoms of depression are eerily similar, including irritability, negative thoughts and perhaps even worse, numbness.
The story shifts thereafter to a little boy and girl, Kay and Gerda. They can be regarded as anam cara, soul-friends. Alternatively, they may be seen as halves of the same soul. Initially, their relationship is happy and loving, reflecting a person in harmony with himself.
The symbol language of fairy or folk tales are the same as in dreams or the deeper level of religious books like the bible.